Latin dancing has style and flavor

by KASSIDY MATHER

Looking for something to spice up a boring Saturday night?

“Salsa can be spicy, or not so much. There are a lot of flavors,” says Latin dance instructor Victor Mosquera. Mosquera has been teaching Latin dancing at Studio 600 for about six months and loves every minute of it.

Studio 600 is a non-smoking, alcohol-free dance club at 26 East and 600 South in Salt Lake City. It features Latin dancing on Saturday nights from 9 p.m. to 1:30 a.m. The first hour is dedicated to dance lessons, then dancers get to try out what they’ve learned.

Mosquera, who along with teaching is in charge of the Latin dancing instructors, teaches a mix of beginning Merengue, Bachata, Cumbia and Cha-Cha-Cha, but Salsa is his favorite. “Salsa is unique. There are so many stylings in Salsa,” he said. “Salsa is my life.”

Born in Cuenca, Ecuador, Mosquera started Latin dancing about three years ago. A friend recommended dancing when Mosquera became depressed after his five-year marriage ended. “It made my self-esteem go up,” he said. Mosquera taught Latin dancing lessons at Salsa Chocolate (cho-co-la-tay) in Provo for a year prior to coming to Studio 600.

“When you are dancing, your whole brain is working,” says Mosquera.test He went on to explain that when you’re talking, you’re only using half of your brain, but when you’re dancing or doing some kind of sport, your whole brain is working. Listening to the music and planning what you’re going to do next really requires concentration. “That’s what makes you feel good out there,” he said.

Yony Lopez agrees. He and his wife, Eagan, come to Studio 600 every Saturday to Latin dance. They enjoy the clean, conservative atmosphere. “Latin music is super fun,” he said. He said Latin dancing is a hard way to move your body, so it’s a good way to lose a lot of weight.

Salsa music has a fast beat, it is loud and happy. It usually features a strong percussion section, with instruments like claves, cowbells, timbales and the conga. Other instruments include trumpets, trombones and bass. Guitar and piano can be used as accompaniment. According to Mosquera, salsa bands can have 12 to 18 people playing, which makes it special.

“In our culture, the way we meet girls and guys is dancing,” says Lopez, who was born and raised in Guatemala.

Lopez thinks that the club attracts a lot of Latino people because the variety of styles draws an assortment of different people and languages. “All kinds of people [come] from different backgrounds and countries,” he said. Merengue and Bachata are popular in the Dominican Republic, Cumbia originates from Colombia and Cha-Cha-Cha is Cuban. Salsa, he explained, is from all over, including Cuba, Puerto Rico and Colombia.

But Studio 600 has more than just Latin dancing. Tuesday and Thursday nights are dedicated to country dancing; Wednesday is Reggae and 80s night and Friday features Top-40 music. Plus, there are three separate dance floors, each featuring a different style each night, and even a room with karaoke and pool tables. There really is something for everyone, every night.

Steve Ames, the founder and owner of Studio 600, mixes up the styles to attract the mainstream crowd and make it more diverse. “It kind of hit me last week when we started this reggae floor and it really has attracted the Polynesian crowd,” Ames said. “I just got thinking about it, and … we really cater to all the ethnicities, the larger ethnic groups in the city and state. We have something for everyone, for the most part.”

Ames has worked hard to expand the club into what it is today. He began with a small group at Trolley Square, where he held country dancing Tuesdays and Thursdays, Top-40 on Fridays and Latin dancing on Saturdays.

The crowds have grown slowly and steadily. After almost eight years, the group had outgrown the original Trolley Square location, and his lease was up, so Ames had to find somewhere else to go. He had passed the old building on 26 East and 600 South for years and never noticed it. “When I needed a place there was a for lease sign on the building,” Ames said.

He made a deal with the owner and went to work. The building was originally built in the 1940s and Ames put $1.2 million into renovations. The process from the time he signed the lease to the day the doors opened took three years.

The move has proved beneficial. “Latin night at Trolley Square used to be about 200 people,” Ames said. “Now we’re over 800 to 900 every single Saturday.”

The club hosts about 2,000 dancers a week. The most popular nights are Thursdays and Saturdays, although once a month larger parties are held which attract a good sized crowd. These parties are usually held on a Friday and include New Year’s Eve, Valentine’s Day, St. Patrick’s Day and an End-of-Summer party.

The club also hosts a disc jockey every night and often has live performances by up-and-coming local artists. The entrance line is usually stretches to the street, but it moves quickly and is worth the wait.

Studio 600 is one-of-a-kind. The environment attracts people who just want to dance. “It fits the community, you know, a large base of the community,” Ames explained. “You have literally hundreds of bars and nightclubs that serve alcohol,” he said. “We cater to a different crowd.”

Ames went on to say that compared to other nearby nightclubs, Studio 600 has a more conservative crowd, and offers a greater variety of dancing styles. Plus, he bragged, “You could put four of their clubs inside of our club.”

Mosquera agrees. “I think there’s no other place to go,” he said. “Here, you come for dancing.”

Beginners and experienced dancers alike can enjoy this club; few places offer to teach dance lessons before the crowds come. Even Mosquera takes lessons to learn new moves, often traveling to Los Angeles, New York and Las Vegas to learn the latest techniques. When he returns he shares them with the dancers at the club.

Mosquera plans to finish the year teaching at Studio 600, but after that will probably move on. “I always like to move forward,” he said. His two children have kept him in Utah for now, but he likes to compete and is considering going to Los Angeles to take part in the salsa congress there.

A salsa congress is a meeting of professional and beginner dancers to enjoy and learn about the evolving dance. The meetings include shows, workshops, live bands, master classes and competitions. Congresses can be found throughout the world.

Stop by Studio 600 and experience the fun for yourself. Country lessons are taught from 8 to 9 p.m. Tuesday, Thursday and Friday, and Latin lessons from 9 to 10 p.m. Saturday. The earlier you go, the lower the entrance fee, which ranges from $4 to $10. Once the lessons end, the open dancing begins.

Vanderhooft pursues passion for writing through QSaltLake

by YEVGENIYA KOPELEVA

While writing her honors thesis in the English department at the University of Utah, JoSelle Vanderhooft discovered the Salt Lake Metro and her passion for journalism.

Her love for writing began with being the newspaper editor for the Hillcrest High School newspaper in Salt Lake City and a staff writer for Salt Lake Community College’s Horizon. After dedicating long hours to both newspapers, she decided to take a year off journalism and pursue her other passion: theater and playwriting.

It was seeing the Salt Lake Metro flier in the English department during her senior year in college that made her realize she wanted to “get back into journalism.” Vanderhooft graduated from the U with a bachelor of arts in English and theater studies in May 2004.

She then began as a freelance writer for Salt Lake Metro because it was the only paying job she could get after graduating. “After awhile, I just got into the routine of it, realized I not only liked it, but really, really liked it, and stayed,” said Vanderhooft, 27.

Salt Lake Metro, a newspaper for the lesbian, gay, bisexual and transgender population that began in May 2004, changed its name to QSaltLake in March 2006 in order to incorporate “queer” into the title as part of the new staff’s vision of being inclusive. QSaltLake distributes 9,000 copies a month along the Wasatch Front as well as in selected cities in Nevada, Wyoming and Idaho. The biweekly newspaper has grown from 20 pages to 40 pages since the beginning of 2007. Vanderhooft became the assistant editor of QSaltLake in 2007.

The June 2007 Pride issue featured 64 pages filled with articles, advertisements, features, a schedule of the three-day event, a map of the festival grounds and the parade route, a variety of Pride-related news and arts and entertainment stories. “Lots of people want to advertise in the Pride issue because it’s the issue that everyone picks up and advertising in it gives them a lot of attention,” Vanderhooft said.

QSaltLake features news of interest to the LGBT community and keeps the population informed of upcoming events. “It’s intentional that the newspaper is more news than arts,” Vanderhooft said. “Since we try to cover as much as we do in a two-week cycle, most of the time the hard news stories just seem to outnumber the arts stories,” she said about striving to keep a balance between news, arts and opinion.

When choosing content for news and features, Vanderhooft looks for people doing things and relevant news about issues that may affect the community. “It’s about going to bars and finding those face-to-face conversations or knowing that people talk and stories get back to you,” Vanderhooft said. “Columnists are sometimes well-known or are interesting people who have cool ideas. And word of mouth is how we find people to write for the newspaper.”

Out of all the sections in QSaltLake, Vanderhooft enjoys writing the Gay Geek column the most because it blends two sides of her personality. “We are geeks, we like our toys, gadgets and ‘Star Wars,'” said Vanderhooft about the unique column she created in January 2007. She uses the column to publish fantasy stories and poems.

QSaltLake’s success is a result of societal values and the changing views of what being gay means in the 21st century. Vanderhooft believes the importance of LGBT issues in today’s world is the reason people are more respectful and accepting of the LGBT community.

Her goal is for QSaltLake to keep growing, being more diverse and inclusive, reaching out and “not closing themselves within the community.” Vanderhooft hopes to add more content relevant to transgender and bisexuals because she feels “there needs to be more coverage of these individuals who are ignored a lot of the time.”

She strives to seek columnists who are willing to cover topics pertaining to the LGBT community. “Don’t assume a writer is gay,” Vanderhooft said about reading LGBT newspapers. She believes anyone can write for a gay newspaper as long as they are educated and do their homework.

When interviewing members of the LGBT population, she advises future reporters to let people know you are comfortable with their sexual orientation, to be compassionate, read reactions and body language, to try to do the best you can and don’t look at it as us versus them. “It’s about tone,” Vanderhooft said.

Utah Navajo strings colorful beads, warm traditions

by KATHRYN JONES

  • See photos of Weasel Tail and his work by clicking his name, below. (Slideshow best viewed in full-screen mode.)

When he was a kid, Harold Garcia — better known as “Weasel Tail,” was never caught, not even once, with his hand in the cookie jar. He says he “kept watch” at the local store while his friends filled their pockets. When they got caught, his pockets remained empty and he was able to weasel his way out of the bad situation.

“Sure, I earned [my name] in the wrong way,” he says, “but it was [originally] given to me by my great-great grandfather. And that’s the most important thing.”

The name stuck.

Today, Weasel works in beadwork at the Native American Trading Post located at 3971 South Redwood Road in West Valley City. The business is owned by Dru and Leslie Drury, who have been friends with Weasel for 10 years.

In 2004, after 21 years in business, the store was moved to a more visible location, Leslie says. Weasel Tail has been working at the new location since then. She describes him with a sense of humor and admits that nobody knows how to bead like he does.

A Navajo and Tewa Pueblo American, Weasel says his bead skills began in pre-school where he strung “Froot Loops, Cheerios and little pieces of paper with holes in it.” Later, he graduated to moccasins as he watched his grandmother, Maria Martinez, assemble them.

“I already had my color co-ordination down,” he says. “Other people would put random colors together, me, I already had my colors separated because I saw my grandmother do the same thing.”

As Weasel grew, so did his craft.

“When I was in school, I’d beadwork the pens,” he says. “By the time that first week of school [was over] each one of my teachers in each one of my classes got a pen.”
The price of each?

Fifteen dollars.

Weasel Tail grew up in Utah, but his home life began in Ohkay Owingeh, a pueblo in New Mexico. Today, he lives in Salt Lake City and spends time in the winter putting together beaded purses, gloves, leggings for men and women, dresses, cradleboards, pipe bags and umbilical cord bags for those who seek out his work and those who sometimes stumble upon it.

“My sister introduced me to Weasel,” says Ardis Bryant, a frequent customer who makes her own jewelry. She not only purchases the mixings for her own creative endeavors; beads, string, and the like, Bryant says she swears by the crystals used in beadwork found at the trading post; they are unlike any she has found elsewhere.

“[Customers] find out there’s a lot more than teepees,” Weasel says. He speaks about the two most popular purchases at the trading post: baby moccasins and umbilical cord bags.

For those who are unfamiliar with the second purchase: The umbilical cord is saved for a reason, Weasel Tail says. The outward representation of what joined mother and child, yet connects mother and child spiritually in life and in death.

Tradition says that the cord is alive, Weasel says. “You will be taken care of because of that little cord.”

His 10 sisters have forbidden him to make cradleboards, however.

They get pregnant.

“So, what are you doing, bewitching us?” they tell him. “We’re all going to get a cradleboard and make it at your house.”

Weasel Tail admits he just likes to make them, and if he can’t do the job for his sisters, there are many customers who will appreciate them. “I’ve got the material,” he says. “Maybe someone else will want the cradleboard.” According to tradition, a cradleboard is not made unless a baby is expected.

Still, many other projects are ready for creation. Weasel’s mirror bag of an elk on a mountain is among his favorites.

“They had lots of different bags in [the 1800s],” he explains. Some were made to hold tools inside a teepee; others held porcupine quills, tobacco or umbilical cords.

When hand mirrors arrived with the trappers, Indians found a new use for the bags, Weasel says. They needed a way to protect the mirrors from getting broken so a new bag was born.

After that, Indian tribes wore mirrors on their clothing, Weasel says. Mirrors reversed bad thoughts. If someone was thinking or saying something negative it would naturally reflect back on them.

Negativity hasn’t always deflected from Weasel and his craft, however.

Even Weasel admits, “Don’t count your chickens before they’re hatched because something may not turn out the way you want it to, or somebody may fall through.”

He is speaking of business. Items he must re-bead because threads have loosened, orders that are made and not picked up; more expensive items that haven’t been purchased yet. Of the last he says, “I’ve learned not to rely on such. Some things I know will sell.”

But even if they don’t, Weasel is holding his head high.

“I see something here and know it will come to life,” he says, pointing to his head. “Whatever I see, whatever I put into it … it’s what I see up here. It’s my creation. Nobody’s going to take that from me.”

Niños on skis

by ERIK DAENITZ

Twelve years ago the Rev. Bob Bussen, pastor of Saint Mary’s of the Assumption Parish in Park City, Utah, saw a divide in the community.

“I noticed that we had challenges in Park City embracing our diversity,” Bussen said. “I challenged the city that we needed to find ways to build bridges, noticing that I needed to do that as well.”

The result of Bussen’s challenge was the Niños on Skis program, which he envisioned as a way for Hispanic and non-Hispanic families and children to come together while having fun skiing.

The success of the program is due in part to the efforts of sponsor families who agree to ski with children who otherwise might not be able to enjoy the slopes of Park City.

In addition, Park City Mountain Resort, Aloha Ski and Snowboard Rental, and St. Mary’s provide equipment and services that make skiing free for children who participate.

Normally, a youth day ticket at the resort costs $50 while passes for Utah students between ages seven to 17 range from $175 to $225. However, the resort’s involvement with the Niños program lifts this burden.

“Park City Mountain Resort has just been fabulous because they give all our kids free passes and make it possible to do everything,” Bussen said. “Aloha we just kind of got to know and they got involved, too. St. Mary’s provides clothes through the St. Lawrence thrift store in Heber City.”

However, these opportunities did not always exist, and it has taken some effort to get the program where it is today.

“We live in this world-class resort and have many Hispanic families here,” said Ernest Oriente, the Niños on Skis program director. “Many of them were going back and forth to work or school every day looking up at these amazing mountains but never getting to experience them.”

Oriente became involved in the program 10 years ago after reading about it in a church bulletin. With Puerto Rican heritage on his mother’s side of his family, Oriente identifies with diversity and the need to extend opportunities to all.

“We must remember that we are a nation of immigrants,” Oriente said. “We are a melting pot of cultures.”

Starting out with eight children, the Niños program has consistently grown under Oriente’s direction. This year 51 boys and girls participated.

“Ernest and Father Bob collaborated on the program,” said Garrett Glenn, a Park City High School student who volunteers with the program. “Ernest is the director and does a lot of the work, and Father Bob is there to provide support.”

Niños on Skis enables children with minimal or no ski experience to eventually ski some of the most challenging terrain at the resort, such as runs off the Jupiter lift, which services black and double black diamond terrain.

“My favorite part of the mountain is King Con, but I’ve been up to Jupiter too,” said Martin Heredia, 9, who began learning to ski with the program two years ago.

The ability of new participants to rapidly improve their skills is due mainly to the structure of the program.

During the first three Saturdays of December, sponsor families pick up the children and bring them to the resort by 9 a.m. Half an hour later children are grouped based on skill level and experience with ski instructors who teach the children until noon.

After the free lessons, all of the children, instructors, and sponsor families converge at the bottom of the Payday lift and head to lunch at the resort center.

“It’s not unusual that lunch will run over $1,000,” Oriente said. “Lunch is paid for by St. Mary’s church and wonderful donations that are given to us by the community.”

When participants are filled up and warmed up, the sponsors take the children back out if they want to continue skiing into the afternoon.

“After the first three Saturdays it’s ski whenever you want and as much as you want with the children,” Oriente said. “The kids I have now, we’ve skied over 15 times with them already.”

Also, many times a boy or girl will be paired with a sponsor who is in middle school or high school, fostering new friendships.

Jessica Murphy, a 9th-grade student at Treasure Mountain International School, skis with Oladyd Angeles, a 2nd-grade student at Trailside Elementary School.

The two ski together throughout the season and Murphy further aids Angeles in learning better technique.

“I usually go in front and she follows,” Murphy said.

Angeles, who has lived in Park City her whole life, said she likes the mountains and that her favorite part of the program is getting to ski.

Another pair who ski together is the duo of high school student Garret Glenn and Martin Heredia, a 4th-grade student at McPolin Elementary School.

“I like the big jumps,” said Heredia, when discussing his favorite part of skiing. “But I’ve made friends, too.”

When skiing together, Glenn said he prefers to let Heredia lead as he watches from behind to make sure Heredia is OK.

“It’s a good program,” Glenn said. “I like to be able to ski with him and help him out, help him get a little more practice and experience.”

Although he is only 9, Heredia already has a plan for his skiing future.

“When I am older I will teach other people to ski, too,” he said.

These examples of service and friendship illustrate that the program is about much more than just skiing.

“In my opinion this program has gone on to become the most interconnected relationship between the Hispanic and non-Hispanic community that exists in Park City,” Oriente said. “This is more than a cursory event. This can be a 12-month relationship, an ongoing relationship that takes many shapes and forms.”

While the Niños program fosters these connections, St. Mary’s is behind other efforts to improve integration.

“We have Spanish masses, but we also have a bilingual mass that we do during Lent and Holy Week,” Bussen said.

He also said he has seen improvements in the school systems, healthcare services and with other programs such as the Big Brothers and Big Sisters program, the Boy’s and Girl’s Club and the tennis program that St. Mary’s helps run.

In fact, the children who participate in Niños on Skis can segue straight into St. Mary’s tennis program, Oriente said. It provides another opportunity for interaction and learning by allowing boys and girls to transfer from a winter sport to a summer sport.

It seems that the divide that once existed in Park City is being joined.

“You keep making steps, you keep making strides,” Oriente said. ” I don’t know about the rest of Utah, but I know that in my own world in Park City we care. In the Niños program we can’t touch 10,000 lives, but I know we can touch the lives of 51 children, and that for me means a lot. I know that in some small way we are making a contribution.”

‘Goodtime’ for a good cause

by ERIC WATSON

Unlike many bowling leagues that attract members by offering big prize money, Goodtime Bowling League in Salt Lake City offers members a chance to bowl each week for a charitable cause.

Dean White, owner of Bonwood Bowl in South Salt Lake, said the Goodtime league has been making donations to various charities since they began bowling at his establishment in 1990.

“They’re a very charitable bunch,” White said.  “We get thank you notes all the time from places they donate to.”

Goodtime donates roughly $1,500 spread out over approximately six different charities each year, but as membership numbers continue growing, donations are becoming more plentiful.

Goodtime has grown from 14 to 24 teams since last year alone, according to league president Nate Christensen.  “My goal from last year to this year was to build the league,” Christensen said.  “We added 10 teams.  It was phenomenal.”

The league is up to 96 bowlers, which Christensen said directly connects to the $1,700 in donations so far this year.

Goodtime has donated to the Ronald McDonald House, Huntsman Cancer Institute, Utah AIDS Foundation and the Utah Pride Center this year.  Also, a donation was made to the family of a Bonwood Bowl employee who died in a traffic accident in 2007.

Some people assume that, since Goodtime is a lesbian, gay, bisexual and transgender bowling league, donations are strictly made toward LGBT organizations, but Christensen said that is not the case.

“Every bowler has a vote for which charities they would like to donate to each year,” Christensen said.  “The majority of our charities are not LGBT affiliates.”

The majority of the donations are collected from membership fees and various buy-in tournaments that Goodtime organizes.  The types of tournaments vary from week to week, but the charity theme remains the same. 

One example of a tournament called “strike it rich” gives bowlers a chance to win some money while still making a contribution.  The amount of winnings change each week depending on how many players buy-in, and the winner receives half the pot while the other half goes towards charity.

“If the pot is $100,” Christensen said, “$50 goes to charity.  A few weeks ago the pot was $180.”

Christensen explained that Goodtime does not simply “cut a check to each charity and say ‘see ya next year.’”  Goodtime contacts each charity individually to explain who they are and what they are doing in the community.

“I explain that we are a lesbian, gay, bisexual and transgender bowling league that is doing something good in our community,” Christensen said.  “We are individuals, and we do care.”

Goodtime has been a part of the International Gay Bowling Organization since the IGBO was founded in 1980.  Back then, Goodtime bowled at the University of Utah.

IGBO hosts prize tournaments for LGBT leagues all across the nation. Salt Lake Goodtime has hosted two IGBO tournaments, but Christensen said it did not turn out as well as he had hoped.

“[IGBO] wasn’t as successful as it could’ve been,” Christensen said.  “I have gone [to an IGBO tourney] in Orange County and it was an amazing turnout.”

In order to be a part of IGBO, Goodtime pays the organization $150 per year, giving Goodtime members the option to attend any IGBO tournaments nationwide.  Dallas, Texas will host the next national IGBO tournament this year, according to Christensen.

To ensure Goodtime remains successful each year, Christensen explained that the league tries to create a fun atmosphere for the bowlers while keeping charity at the forefront of the league’s agenda.

Recognizing Goodtime’s charitable donations, White recently wrote a letter to the Goodtime league expressing the importance of what they do for the community each and every bowling season.

“They get very little publicity,” White said, “but they’re not after publicity, and they’re never pretentious about their donations.”  He continued to say that not many people realize how much Goodtime is contributing to the community every year. 

White said that Goodtime, like many bowling leagues at Bonwood, hold a “turkey shoot” during Thanksgiving, where each team has a chance to win a turkey, “but instead of keeping their turkeys, 10 individuals from [Goodtime] donated to the food bank,” he said. 

 “I do their in-house banking,” White said, “so I know what they do with their prize money.  They keep very little for themselves.  They buy trophies once a year, and that’s about it.”

According to league member and former Goodtime secretary Chad Hall, 33, the league was at its largest during the 1995 to 1996 season, with 36 registered teams.

“Scheduling 36 teams for one night was tough,” Hall said.  “Twenty-four teams is probably our limit.”

Christensen said the league still has room to grow, but admitted adding too many teams might cause problems.  “I would feel comfortable having 28 teams,” Christensen said.  “As president, I would like to see the league stay within two-thirds of the lanes at Bonwood.”

Keeping a few extra lanes open gives the public an opportunity to experience what the league is all about, Christiansen said, and having too many teams could make the league feel impersonal.

Goodtime is open to anyone to join.  The league currently has members of all ages and sexual orientations.

Although Goodtime bowlers come and go, Christensen said he has bowlers that have been with the league over 10 years.  He estimates that 60 percent of the league changes from year to year, but he and former president Scott Mallar have added stability to a once shaky bowling league.

“We’ve gone through some growing pains,” Christensen said.  “[Mallar] did a great job of building up consistency within the league.  My goal is to keep it consistent and fun.”

SLC drag troupe raises funds, morale

by AMANDA CHAMBERLAIN

Forty-five-year-old Don Steward says he’s about as mainstream as it gets. The West Valley City resident has a bachelor’s degree in psychology and a master’s degree in public administration, owns a small business and attends church every week.

“If I was an ice cream flavor I would be vanilla – probably sugar free,” Steward said. “I’m that dull.”

Perhaps it’s Steward’s dull home life that makes his charity work seem even more intriguing. He makes it a priority to stay active doing volunteer work, and has traveled across Utah and Wyoming mentoring nonprofit organizations. But it’s when he stuffs his 6-foot, 230-pound frame into a curve-hugging, polyester dress and 5-inch heels that his charity work appears the most vibrant.

Meet Ruby Ridge, Steward’s alter ego. He transitions into this bearded drag queen – brazenly outfitted with loud makeup, fluorescent hair and a sassy attitude – when he appears with the fundraising performance troupe, the Utah Cyber Sluts. As one of the about 10 rotating members in the troupe, Ridge performs improvisational comedy and lends herself to charitable events within the lesbian, gay, bisexual and transgender community, such as Pride and WinterFest.

Most recently, the Cyber Sluts kicked off University of Utah’s Pride Week on Oct. 15, 2007, performing a colorful show for attendees free of charge. On Nov. 29, the troupe will doll themselves up in the finest Deseret Industries dresses and attend The Red Party at the Hotel Monaco to raise money for AIDS awareness. Just one night later, they will unveil their Christmas performance “Cyber Night, Slutty Night, What’s in Your Stocking?” at the Paper Moon.

But perhaps the Cyber Sluts’ most famous fundraising effort is Cyber Slut Bingo. Each month, the merry bunch hosts a different-themed game night in order to raise money for the Utah Pride Center.

“The Pride Center has had a partnership with them for couple of years now, and one amazing thing about the Cyber Sluts is how much they do for charity,” said Jennifer Nuttall, the Center’s adult-program director. “Initially, the Center was having difficulty raising funds, and it was their idea to come and do the Bingo nights to help out the center. Now that we’ve gotten to a much better place financially, we’re able to split the proceeds to go to both the Pride Center and the Cyber Sluts’ other charities throughout the community.”

In September, the Cyber Sluts collected more than $2,000 from Bingo night alone. And according to Nuttall, who attends Bingo night to direct “the Pride Center side of things,” the number will only continue to grow. She said the game night fundraiser is attracting a bigger and “more diverse crowd,” and at $5 admission per person, that can add up.

Nuttall also noted that the Cyber Sluts plan to take the event “on the road,” hosting Bingo night starting Dec. 14, 2007, at the South Valley Unitarian Universalist Society (6876 S. Highland Dr., Salt Lake City) for the next few months, then moving it to another part of the valley.

The Cyber Sluts experience no shortage of Bingo, AIDS benefits and Pride weeks, but just how does one find himself performing in drag for charity? Steward’s story starts with the formation of the troupe itself, which was inspired by the Denver Cycle Sluts, a similar fundraising outfit. Two inquisitive Utahns, Rand Bodily and Chris Trujillo, caught a Cycle Slut performance nearly 17 years ago and felt inspired to mimic their antics and generosity, according to an article published in the November 2007 issue of QSaltLake.

Taking their concept back to Utah’s salty turf, Bodily adopted the name Lucky Charms, and Trujillo became Andromeda Strange. As they acquired more volunteers, the twosome blossomed into a full-fledged performance troupe, which they named the Utah Cyber Sluts — tweaking the moniker to slightly differ from the Denver group’s.

As one of their first charitable efforts, they started Camp Pinecliff Weekend, an annual camping retreat for people with HIV/AIDS, their family and their caregivers. And while the camp acts to bring hope to those with the disease, it also serves as the birthplace of Ruby Ridge, who now is one of the event’s main coordinators.

“I knew Rand and Chris, and we just got to talking one night in the lodge and boom! Ruby was born,” Steward explained. “They are great performers and sort of dragged me along by my boot straps until I learned the basics.”

Though founders Bodily and Trujillo have passed the leadership torch on to other Sluts, such as Ida Slapter, the current “Madame,” Ridge and the rest of the troupe continue to reach out to the LGBT community, and beyond.

“They really promote a sense of community,” Nuttall said, “and they’re a great and fun social outlet for both our community and the community at large.”

Just like the Sluts aren’t limited to raising funds for just one demographic of the community, Steward isn’t limited to playing Ridge only under the Cyber Slut name. He also flexes Ridge’s sharp-tongued wit as a columnist for the local LGBT news and entertainment newspaper, QSaltLake. Her column, in which she touches on current events amid a bounty of endearment terms (calling readers “muffins,” “petals,” etc.), has gained a steady following. According to Assistant Editor JoSelle Vanderhooft, Ridge’s column, “Rocky Meadows Mascara,” is one of the paper’s most popular features.

“I’m really surprised at how many people actually read my column,” Ridge said. “I always did it as a joke, but people really respond to it.”

In many ways, the same sentiment applies to the Utah Cyber Sluts. Though they joke with funny names, bad fashion sense and diva attitudes, they get the attention of many in the community at large, and it’s due to their unique and entertaining take on charity work.

IRC helps Salt Lake City refugees enjoy local culture

by BRETT PERFILI

On a warm fall Saturday morning a handful of Burmese refugees gather outside of the International Rescue Committee building in downtown Salt Lake City.

They are meeting to catch the light rail system of public transportation, TRAX, across the street on 400 South to go to a University of Utah football game. The university donates the tickets to the IRC. This is just one example of an activity refugees experience when arriving in Utah.

Throughout refugees’ first few months of resettlement in the United States the IRC provides activities and recreation for the foreign families and individuals for a number of reasons.

“When people are spending time with Americans and feeling comfortable it avoids the awkwardness or fear rather than giving them a sense of an outsider,” said Jonathan Codell, acculturation PORTAL coordinator at the IRC located in Salt Lake City.

Located at 231 E. and 400 South, the IRC, is an organization that provides refugees with aid throughout the resettlement process. The IRC works with refugees for the first six months of their residency and helps to offer essentials such as food, shelter and employment.

According to the United States Department of State a refugee is a person who may be fleeing from their country to escape from war or persecution on account of race, religion or nationality.

Codell said the IRC brings certain cultural groups to at least one activity per month, but typically it is more than that. Other activities the IRC offers to the groups is trips to the parks, mountains, and bringing them to the library for educational purposes.

A piece of the big picture the IRC wants to reach by providing these outings is to relieve some stress of the movement procedure for the refugees.

“The resettlement process is dramatic,” Codell said.

Nyaw Paw, 33, a Burmese refugee who has been in Salt Lake City for two months feels getting out and being with Americans helps the process.

Paw said through Han Win, a Burmese speaking IRC interpreter, that she feels happiness, a sense of freedom, stress relief and enjoys just being part of the American culture.           

Paw grew up in Burma, but moved to Thailand with her family when she was 6. There she was not allowed to get out and be involved with the activities like the IRC provides.

Paw finds the freedom she has discovered in the United States lets her do anything that she wants. 

Within the activities the IRC reaches out to makes sure the refugees feel more welcome and feel home in the United States.

“The more someone feels comfortable the more likely they’ll return and be more integrated into our society,” Codell said. “They won’t be so marginalized.”

A key for resettlement is introducing places around the homes of refugee is a key for resettlement, Codell said. Even something as small as a park close to home where they can go have a picnic will help he said. He feels showing the refugees places to go does help, especially, when he sees a refugee doing this on it own.

This is what the IRC is aiming for.

“One big thing is it shows them what is out there,” said Emily Fishbein, education program coordinator for the Salt Lake City IRC. “It shows what they can do on their own.”

An American football game is something many refugees have never seen.

The only football game they are familiar with is soccer. Codell admitted that seeing American football can be strange and maybe confusing to the refugees. However, it allows them to be out there with the public, which benefits the resettlement process.

“This is a way for them to see what being in the U.S. is all about,” Fishbein said.

Bringing activities and recreation is only a small part of what the IRC does, Codell said. However, it does show where the refugees can access resources when they want them. It also brings camaraderie throughout the groups.

“A main aspect is just bringing them all together so that they can be in a social setting and get to know the other refugees,” Fishbein said. “It’s sort of nice for them all to be in one place together.”