The sound and taste of Hispanic Culture— Utah Hispanic Heritage Parade

Story and photos by LINA SONG

The nonprofit organization Take Care Utah hosts the Hispanic Heritage Parade annually to share arts and culture and draw attention to the need for health insurance for Latinx children. It is a great example of sharing the arts of culture and bringing communities together to experience each other’s culture better. The events and performances promote community involvement and provide the chance to see, hear, and taste the traditions of the Hispanic culture in Utah. 

Randal Serr, the director of Take Care Utah at Utah Health Policy Project (UHPP), shares the growth and process of the parade over the past several years. The heritage parade is organized by the UHPP which is an organization that started in 2006. The main goal of the Take Care Utah organization is to reach out to the Hispanic community and raise the awareness of the health insurance needed for Hispanic children in Utah. 

Serr stated that after a study by Kids Count Data Center released in 2014 saying that Utah had the highest uninsured rate in the nation for Hispanic kids, they knew that they had to start thinking bigger about how to reach the Hispanic community and take action. By raising the seriousness uninsured Hispanic children, Take Care Utah offers themselves as a resource to help them sign up for health insurance and celebrate the Hispanic Heritage Month. 

In September 2019, Hispanic Heritage Parade will hit its fourth annual parade. Since the start of the parades in 2016, the event has doubled in size every year. The first year started off with 2,500 people that attended the parade. The second year increased to the attraction of 5,000 people and the third year 10,000 people showed up to the parade. It takes place at The Gateway in Salt Lake City, Utah. With the increasing numbers of participants, there will be a higher benefit towards the UHPP goal and connecting communities together in Utah. 

The UHPP event is unique because it is the only event that celebrates Hispanic Heritage Month with a parade. The Take Care Utah nonprofit organization is helping with community involvement and sharing the Hispanic arts of culture in Utah by including diverse sections which are dedicated to people having the ability to represent their country and culture of origin.

With the fourth annual UHPP approaching in September, Neida Munguia, a yearly participant of the parade discussed her thoughts and experiences of the event. Munguia stated that it has been fascinating to see the growth and the increase of participants throughout the past years. She believes that the parade benefits the Hispanic community by displaying and sharing a piece of home through the celebration of culture. Since Utah is filled with people from various ethnic backgrounds, the parade also enhances the connection within all communities to connect and learn about the Hispanic culture. 

Munguia also talked about how she wanted to see more marketing and advertisement for the UHPP because it is a beautiful and fun event that more people in the community should take part in. Furthermore, she expects that the growth of participants for this year’s parade will be significant and wants to see more food and larger dance performances. Munguia believes that due to the increase and acknowledgement of the UUHPP, the parades should expand the amounts of events and other factors in the future. 

 

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Am I Latinx? Or am I Black? What if I’m both?

Story and photos by SHAUN AJAY

The intersection between Latino and Black runs deep in racial and self-perceptions among those who identify as Afro-Latinx. The term Afro-Latinx encompasses those from Mexico, Central and Latin America of majority African descent. The choice rests on the individual and what they choose to identify with. Since Latino is not a race or ethnicity, the term Afro-Latinx is an umbrella for those who identify primarily with their African roots and their ethnicity such as Afro-Dominican or Afro-Cubano. This article tells the experience of three Afro-Latinas in Utah.

Portia Saulabiu

Portia Saulabiu is a retention coordinator and advisor at the Center for Ethnic Student Affairs (CESA) at the University of Utah. She was born and raised in different neighborhoods in Chicago, where her parents had met. Saulabiu’s mother is African-American and her father is a Taíno from Puerto Rico and the Dominican Republic. Saulabiu said she felt a great desire to connect with her father’s side of the family, but growing up in different areas had impeded her.

Saulabiu was raised with her mother and so mainly involved herself with Black culture. It wasn’t until college, when she started to embrace her Latinx culture more. But Saulabiu’s connection to the culture, either through blood or an inborn interest, had begun at a young age. She began speaking Spanish at the age of 8, learning the language formally from middle school through college.

As a college student, she traveled to Cuba for a learning-abroad program, where she worked with a church in rebuilding homes, and conducted research on interracialism. This was her first experience in Latin America and Saulabiu said she began to grow more comfortable with her identity. But coming into contact with a different culture can sometimes mean hardships and miscommunication.

Colorism, she said, played a huge part in her identity as an Afro-Latina. She said there was no greater understanding of the concept of colorism in Latinx homes. Colorism is the prejudice or discrimination against individuals with darker skin tones within the same ethnic or racial group. Saulabiu was often treated differently because of her darker skin. “The color of your skin, your lineage of indigeneity, it all affects how you’re viewed as a Latinx,” she said.  

Her heritage and ancestry is something that Saulabiu couldn’t be taught by her parents. At first, she explained that it was weird having to learn more about her background. “It’s because you’re so socialized to identify yourself as just being Black. But to be Black means so many different things,” she said.

Saulabiu wants more people to be introspective of their racial and cultural identity. Saulabiu said that being Afro-Latinx is not about being Black or being Latinx, it means being Afro-Latinx as its own autonomous identity. “There is value in finding about all parts of yourself,” she said.

Tierra Yancey

Tierra Yancey is a junior anthropology student at the University of Utah. She comes from a military family, so a majority of her childhood involved moving across the country and around the globe. She and her family have been living in Utah for the past 10 years.

Yancey spent most of her time with her mother’s side of the family. Her maternal grandmother is Puerto Rican and her maternal grandfather is African American. Since her mother’s family is also mixed, Yancey did not grow up feeling too different. But on her paternal side, she was often confused with being half white, because of her hair texture or the way she talked.

In her formative teenage years, Yancey mainly identified as being Black. “That’s how I was seen to others, but I knew I was a bit different.” In high school, Yancey said it was hard for her to identify as being Latina, as she does not speak Spanish. “I was never Latina enough,” she said, “but Black people consider you Black enough.” The Black community, she acknowledged, is more accepting of Afro-Latinx than Black people with white ancestry.   

Among her nine siblings, Yancey is the only one with her particular hair texture, which she describes as a more loose, mixed-look style than typical Black hair. “Hair texture is really important in Black culture,” she said. “It can signify what kind of mixes you have.” In her family, Yancey is considered to be lighter skinned, and has “good” hair — traits that make her stand out more among other Afro-Latinx who have coarser hair and darker skin.

Yancey said hair also plays into the concept of colorism. Her grandmother, who is light-skinned, always used to tell her, “Oh! Mija, put sunscreen on. You don’t need to ruin your skin.” Yancey said she felt pressured to highlight those particular standards of beauty as an Afro-Latina. She was told to wash her hair properly, or not spend too much time out in the sun, while her siblings were never told anything.

Yancey continues to explore her identity as an Afro-Latina. She wants to push herself to dive into both cultures by defying the boundaries of racial categories. “It’s like having a plate of tacos, and bowl of baked mac n’ cheese — it’s different, but it’s good.”

Kiara Maylee Grajeda-Dina

Kiara Maylee Grajeda-Dina is an Afro-Latina from Salt Lake City, a business major and aspiring fashion entrepreneur. Both her parents are from Mexico; her mother from Guerrero and her father from Guadalajara. Her upbringing was cultural Hispanic. She goes to Catholic Church and speaks Spanish as her first language.

Grajeda-Dina’s mother has primarily West African ancestry dating back to the 1780s, when enslaved people were brought to the Americas through trade. Afro-Latina is a newer term for Grajeda-Dina and her mother. Before, she said her mother used to just consider herself as Hispanic, but now embraces the new term. Grajeda-Dina pointed out that West African or Black culture is very evident within the area of Mexico where her mother grew up. She said that it was incorporated into the rest of Mexican culture along with indigenous Acapulco and Hispanic traditions.

Grajeda-Dina gave an example of a dance called danza de los diablos (dance of the devils), which originated from slaves who were taken to the state of Oaxaca in 1442 to work in the plantations. The dance features indigenous masks with horse hair and colorful clothing that Grajeda-Dina said is heavily inspired by African culture. She also said that the dance is a special way of protecting the Afro-Mexican legacy from cultural assimilation.

Although colors are celebrated in tradition and clothing, darker skin is disdained. Grajeda-Dina said that she struggles with her skin color as an Afro-Latina. She said she doesn’t feel Black enough, or brown enough in both communities in the U.S. “Being a colored person, your skin speaks volumes before you even open your mouth,” she said. Grajeda-Dina’s family considers her skin as “piel que mada” or charred skin. She compared this to an onion, like layers of skin that you want to peel off. “It’s hard when your culture only embraces parts of you. We’re pitting ourselves against each other.”

With celebrities like Lupita Nyong’o identifying as Afro-Latinx, Grajeda-Dina has found confidence in her identity. Grajeda-Dina said she hopes that more Latinxs start to acknowledge the power of identifying with their roots as an Afro-Latinx. “Knowledge is power,” she said. “Look into what makes up who you are. It’s part of what makes you you.”

 

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Latinx business owners bringing value to Utah

Story and photos by KAELI WILTBANK

Hector Uribe stepped out from behind the restaurant kitchen, dressed in a white apron and a University of Utah cap. He sat down on a stool inside the lobby of the restaurant his father-in-law passed on to him in 2011 and began explaining his journey toward becoming a business owner.

Uribe explained that he grew up in Mexico and learned the value of hard work from a young age. He explained, “I ditched school when I was in sixth grade, so I was 11 years old when I went to work for somebody else to make money to help out the family.”

Uribe came to the United States from Mexico when he was just 17 years old and started working at his father-in-law’s restaurant weeks after his arrival in 1992. His plan was to save enough money to open up a hardware store back in Mexico. But, he said business owners in Mexico face great dangers because they are at risk of being robbed by the cartel. Uribe realized greater success was awaiting him as a business owner in Salt Lake City.

Hector’s, the chosen name of the company after Uribe took it over, has become a popular Mexican food destination for locals, with both the man and his food becoming iconic elements of the community.

A group of students from Highland High School recently came and interviewed Uribe about his journey as a business owner, he said. They were looking to speak with a successful person in the community, but Uribe explained, “I don’t see myself that way, I just think I am hard working.”

Salt Lake City was recently ranked as one of the best metropolitan areas for minority entrepreneurs to start a business. With the Latinx population becoming the second most rapidly growing demographic of the state of Utah, there has been a corresponding influx of Latinx-owned businesses. 

According to the Utah Governor’s Office of Economic Development, 10,000 businesses in the state of Utah are Latinx-owned and operated. 

Rebecca Chavez-Houck, a former Utah State House representative, is a third-generation American, with her grandfather immigrating to the United States from Mexico. While immigrants like Uribe are seen as successful business owners, Chavez-Houck is familiar with the negative connotations associated with immigrants. She said, “There is this notion of the deficit within communities of color, instead of looking at where our strengths are. Yes, notably persons of color are more within the criminal justice system. We have challenges with poverty and a variety of different things, but that’s not all who we are.” She added, “We are a much more complex community than that.”

Nera Economic Consulting found that nationally, “Latinos are responsible for 29 percent of the growth in real income since 2005.” With successful Hispanic-owned businesses dotting the Utah map, the positive impact brought by the Latinx community is significant to the local economy. The study continued, “They account for roughly 10 cents of every dollar of US national income, and that proportion is rising both due to growth in the Latino population and rising per capita earnings.” 

Uribe spoke with gratitude as he described the opportunity he has had to operate a business of his own. “When we come over here we are happy to have a job. I don’t say it’s a necessity for Hispanics to own their own business, but if there’s an opportunity you need to take it. It’s not as easy to start a business there (in Mexico).”

Alex Guzman, president and CEO of the Utah Hispanic Chamber of Commerce, explained to a group of students at the University of Utah, “The Hispanic business community, in the majority of cases, open businesses not because they want to be an entrepreneur, but because they have to provide for their families, so they become business owners with no intention of becoming business owners. But,” he said, “as business owners, they need to learn how to run a business. They need to learn how to file taxes, they need to know how to hire, how to do invoicing, how to deal with customers, how to marketing and sales, human resources, legal issues, etc.”

Offering resources and a supportive community, the UHCC provides local Latinx business owners and entrepreneurs with valuable tools they need to succeed. Guzman explained, “We created a program called The Business Academy. Every 10 weeks we start a new program where we train the Hispanic community on how to do business in the U.S.” 

The rapidly growing Latinx community in Utah has made an impact on the local economy and culture of the state. Resources offered by the Utah Hispanic Chamber of Commerce have become valuable tools for business owners and entrepreneurs like Uribe. His words of wisdom to other entrepreneurial-minded people in the community was, “You’ve got to do everything you can and do it the best you can so you don’t ever feel like you left something behind. The world is full of opportunities and you just need to feel which one you want to take.”

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Why we need more Latinx journalists

Story and photos by BRITT BROOKS

When America sits down for breakfast what’s in front of them? The entire internet is literally at our fingertips, so reading the news is less impacted by time and place and more a matter of preference. Especially now when anyone can share their voice, journalists have the unique and exigent responsibility to create reliable, accurate and interesting publications.

Journalism is necessary to keep our communities connected, as well as educate readers with current perspectives. New voices are becoming increasingly popular in publications across the country as various marginalized groups gain platforms.

Utah’s Latinx population is at nearly half a million people, and in a perfect world that large community would be covered and represented accurately in the media. However, as reported by ReMezcla, white male voices tell the vast majority of stories in American media. In fact, throughout all the top newsrooms in the country, only 25 percent had at least one non-white editor. And minorities made up less than 17 percent of all newsroom employees combined.

Rebecca Chavez-Houck is a woman who understands why minority representation is important in all fields. Her experience as a Latina woman, and her career endeavors in journalism, public relations and politics, have given her insight as to what can be better in the world of media creators.

Starting her professional journey at the University of Utah, Chavez-Houck earned a B.A. in journalism and mass communication as well as a Master of Public Administration. After working in public relations, she said she realized she had a knack for “sleuthing” and wanted to try her hand at researching potential bills. Her career totally changed when running for public office morphed from an idea to a reality in 2008.

Chavez-Houck said she used her communication skills to ensure all possible effects of a bill were thoroughly considered and weighed, not glossed over during a long session on Capitol Hill. “You don’t say ‘no comment,’ you find a way to answer the question,” she said during a press pool interview.

Chavez-Houck explained that she decided to run for public office because she didn’t see anyone representing her community who actually reflected it.

The work Chavez-Houck accomplished during her time in the Utah State House of Representatives includes successfully passing a bill ensuring permanent Election Day voter registration as well as medical interpreter amendments that help non-English speakers of all dialects get the care they need in American medical offices.

As a Latina woman in a predominantly white, male career she’s had to navigate different ways to get her voice heard not only by constituents but her colleagues as well. Something she wants to improve is the Latinx image in the media, and that their stories are heard and respected. She’s frustrated with journalists who don’t search for new perspectives and said, “Find us, find us, find us. We’re there!”

Chavez-Houck wants more coverage that actually reflects the various personalities and ways of being for Latinx people. “We are as diverse as the greater community,” she said.

One way to ensure different demographics are covered well in a publication is to hire writers who accurately represent the community. Kiana Opre, 22, is a senior at the University of Utah studying gender studies and English. She’s also the editor-in-chief of Her Campus Utah, a branch of the international online magazine Her Campus written primarily for and by collegiate women.

Opre has worked to expand the topics covered by HCU, like trans rights and gender equality. She’s constantly reminding writers to use photos in their articles that have racial, cultural and gender variation so that the literal image of the magazine shows inclusivity. And she’s proud to say Her Campus at the U is ranked No. 1 out of more than 300 branches due to variables like the number of articles published, social media posts and chapter events.

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Kiana Opre

Opre and her fellow HCU council members try to recruit writers from all different majors, backgrounds, races, and genders. According to information published by College Factual, the U has fairly average numbers for diversity regarding race, gender, and age. But the U is more mixed than the national average, and ranks 314 for “Overall Diversity” when compared to nearly 2,500 other colleges nationwide.  

Opre said she advocates for a wide range of writers in all published content and aims to have all types of voices represented. However, she wants to be clear that HCU isn’t seeking out minority writers for no reason. Their voices actually need to be recognized and validated, not tokenized.

In an email interview Opre said, “Businesses, clubs and corporations are constantly seeking out ‘diversity’ but it never seems to be for the benefit for real lives or real people of color, but to fulfill a quota, to keep up with an image of what’s ideologically popular.”

But similar to other Utah-based publications, HCU was having a major gap between the representation the council wanted and the writers the branch actually had.

Stephany Cortez happened to be the first Latina member of HCU, but she said the decision to join was daunting, as going into a group of about 20 white women isn’t the easiest thing to do as a minority.

Cortez is a 23-year-old political science and criminology major at the U. Her roots are Mexican and though she said she loves the culture, community, and family that surround her, she doesn’t want to be defined by any one thing. She’s been part of the U’s Student Government (ASUU) and the Beacon Scholars program for first-generation students.

When Cortez joined the magazine, HCU’s editorial team was totally female, and totally white. On its surface the chapter reflected the stereotype of a sorority, and at one point Cortez said she didn’t know if she was at the right meeting. At the open house for the chapter, Cortez remembered seeing different genders and ethnicities, but soon found out she was the first Latina to join the magazine’s staff. “A lot of people of color don’t know about Her Campus, that it’s a community you can participate in,” she said.

While Cortez said she first felt a bit like “a fish out of water,” she also knew that sticking with Her Campus would improve her writing and possibly open the doors for more Latinx students to join. The people we see in certain positions plant the idea of what’s attainable and what isn’t depending on what you look or sound like. In other words, who we see in different industries and careers is who we believe belong there.

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Stephany Cortez

Cortez mentioned that Latinx families tend to stay within their smaller communities for various reasons, the most notable being fear. In a time where ICE is detaining and deporting Hispanic people every day and America’s president actively speaks against Latinxs it isn’t surprising that parents are concerned for their children on a daily basis.

Being repressed is one of the most frustrating feelings one can experience. But if something as common as getting a speeding ticket can end in deportation, fighting and speaking up can seem impossible or at the very least unsafe.

However, new territory is on the horizon for Cortez and other Latinx young adults. They find inspiration in the sacrifices that previous generations made, and use that to add to the culture and future of Latinx people in America.

Cortez is proud of her roots, but she’s also proud of herself for working hard and joining different communities and clubs no matter the preconceived notions. She said, “We need to break that mold.”

How a local Latinx makeup artist is transforming music into makeup

Story and gallery by KILEE THOMAS

Just like her bio says on her Twitter profile, Madeline Maldonado is a “local Starbucks barista with bold eye looks.” Maldonado is a Latinx makeup artist and beauty guru from West Jordan, Utah, who is gaining tremendous notoriety and recognition in the online beauty community. Her popularity comes from her creative, bold and artistic makeup looks that are often inspired by her favorite bands, their album covers and merchandise.

“I get inspiration from a bunch of different things, but I think the main thing is music. Just like drawing, you can listen to a song and draw what you’re feeling. It’s the same thing with makeup,” Maldonado said.

Maldonado said music launched her makeup career in September 2018 when she posted a makeup look on Twitter that was inspired by one of the Meet You There Tour posters from Australian band, 5 Seconds of Summer. The band’s lead guitarist, Michael Clifford, retweeted her look and provided Maldonado with a platform and the numbers to gain some major online recognition. As of today, this post has over 18,000 likes.

She approaches her looks like a painter approaches a canvas. Maldonado said the looks can take up to four hours, depending on the amount of detail and how much surface area on her face she is planning to cover with makeup.

Her looks are no small endeavor and makeup rookies should be forewarned. One look can be completed with the use of only one eye shadow palette, while other looks require four or five palettes, she said.

As a member of the Hispanic community, Maldonado said she believes her ethnicity will give her a leg up in the beauty industry. “My culture gives me an advantage. I feel that being a Latina helps inspire a wide range of culturally diverse individuals. It helps me connect with creators from all around the world and as I create a platform for myself, I aspire to spread cultural awareness through my message and my art,” she said.

She said she believes the makeup industry is growing in terms of diversity, but there’s still a lot of room to go. “All different types of people do makeup now, but the first makeup artist I started watching was Jaclyn Hill (one of the leading makeup personalities on YouTube). Because she had blue eyes, so many colors complemented them and it made me hate my dark brown eyes because the makeup didn’t make my eyes pop like hers did,” Maldonado said.

“My plan is to begin a YouTube channel where I am able to explicitly teach and inspire others. My hope is to create a diverse community where people can express their feelings, creativity and spread positivity,” Maldonado said.

According to Forbes, “It’s never been a better time to be a beauty entrepreneur.” And for good reason. The beauty industry is one of the largest markets in the sales industry, which is why it’s the perfect place for “women to self-start their way to big-time success,” according to Forbes.

Statista reports that in 2016, the cosmetics industry in the United States generated more than $62.46 billion and that videos on YouTube containing beauty-related content were viewed more than 169 billion times in 2018.

Maldonado said she believes YouTube and social media are the future of makeup. “You definitely need to have a large social following to get started. I think I could do makeup for a long time and not get a big response or recognition until someone with millions of followers notices me. That’s what sucks about the way the beauty industry is going. It’s not just about talent,” she said.

Anyone who takes a quick glance at her Instagram feed, which is jam packed with colorful makeup looks that resemble art more than they do makeup, could tell you that she has a gift. But, it wasn’t always this way, Maldonado said.

Maldonado said she has always been artistic. She danced her whole life, loved her painting and drawing classes in high school, but she didn’t have any idea that makeup would end up being her creative outlet.

She credits her older sister, Marisa Barber, for being the source of inspiration to get her started in makeup. “I had zero clue what I wanted to do after high school. I was a little lost until one day I was going through my sister’s makeup and took interest,” Maldonado said.

Barber is proud of her little sister’s accomplishments and said she believes she has the skill to be a successful social media influencer. “There is a huge platform set for these aspiring makeup artists and I feel that all Maddie needs to do to make it big is the right equipment. She definitely has the talent and personality to be entertaining,” Barber said in a text.

Until Maldonado creates her YouTube channel, she does recreational and experimental makeup looks for her close friends and family. Whether it be for senior pictures, portraits or her personal favorite, Halloween, she “creates a story with meaning behind it. The masterpieces she paints on faces are beautiful,” Barber said in a text.

Maldonado’s older sister is one of the people she feels comfortable experimenting her beauty looks on. Barber said she feels that her sister is always professional when she is sitting in her makeup chair. “She always makes sure that I am happy with my look by constantly checking throughout the process how I am feeling and self-assessing her work,” she said.

Barber appreciates how open Maldonado is to new ideas and collaboration when it comes to her clients, but thinks letting Maldonado work her magic without outside input generates the best results. “For me, I like having her work freely on my face. She gets in a zen type of state and the work she produces is magical,” Barber said.

Leigh Ventura, a previous makeup client of Maldonado’s, said she is in awe of how Maldonado takes a piece of art to new levels. “Most people, like myself, would just see the album cover and try to use the shades of the colors to create a look, but she does more than that. She thinks outside of the box and I think she actually goes into character. I’m a big fan of her work, huge,” Ventura said in a text.

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Maldonado was inspired to create this look after watching 5 Seconds of Summer’s Valentine music video. Photo courtesy of Madeline Maldonado.

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Maldonado created this makeup look based on the band BTS’ “Love Yourself: Answer” album cover. Photo courtesy of Madeline Maldonado.

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 Maldonado spent five hours creating this floral makeup look based on Shawn Mendes’ self-titled album. Photo courtesy of Madeline Maldonado.

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Maldonado spent four hours creating this look. The look was inspired by 5 Seconds of Summer’s Meet You There Tour Live album cover. Photo courtesy of Madeline Maldonado. 

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 Maldonado created this makeup look based on the Meet You There Tour Poster. Photo courtesy of Madeline Maldonado. 

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The products used to create Maldonado’s Shawn Mendes self-titled album makeup look, sprawled out across her vanity.

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Maldonado created this stormy eye look after listening to Forever Rain, written by RM of BTS. Photo courtesy of Madeline Maldonado. 

Latinos in Action member setting an example and breaking stereotypes

Story and gallery by EMMA JOHNSON

Yuritzi Huerta Campos is an 18-year-old senior at Jordan High School. Campos is the first U.S. citizen in her family. Both of her parents were born and raised in Mexico. Her parents moved to Utah before her and her two sisters were born in hopes of giving them a better life with more opportunities.

Campos joined Latinos In Action (LIA) four years ago when she was s freshman at Jordan High School. According to the Latinos in Action national webpage, there are LIA groups established in eight states, in over 200 schools, with 8,000-plus total student members.

Campos’ two older sisters participated in LIA when they attended school. She saw how their student involvement with LIA changed their high school experience. Hispanic cultures dedicate great respect to their rich heritage. Yuritzi appreciated how LIA also allowed her sisters to express and honor their culture through a public group. She says joining LIA has made them all feel like they are a part of something bigger. “Being able to give out a part of ourselves and serve other is what I love,” Campos says.

“In school, you have a place you belong,” she says when talking about why she decided to join LIA when starting high school. Latinos In Action was created in 2001 in Provo, Utah, by Jose Enrique. According to the Latinos In Action webpage when Enrique was in high school, he recognized the lack of programs created for Latinx students to participate in.

After high school, Enrique attended Brigham Young University and earned a bachelor’s degree in Education and Spanish, a master’s degree in Educational Leadership and a Ph.D. in Educational Leadership.

Enrique became an administrator himself and was again reminded of the lack of academic resources available to Latinx students. He felt Latinx youth were often disengaged at school and shunned for their cultural heritage. The disconnect was unacceptable in his eyes, so he created the Latinos In Action.

Matthew Bell, a foreign language teacher at Jordan High School, said in an email that the Latinos In Action program was first presented to Jordan High nearly 10 years ago by founder Jose Enriquez. “Through the presentation, we immediately saw this program as an opportunity to help Latino Heritage students become more involved in the school and in their community,” Bell says. “Another selling point was the strong emphasis the program placed on post-secondary study and achievement.”

Campos says she feels her LIA membership has gotten more impactful as the years have progressed. When LIA was first introduced to her school, she says it wasn’t widely known or understood. “We wanted to change that,” Campos says. Now, LIA hosts assemblies and plays a role in the Student Government program.

The Latinos In Action program emphasizes serving the community. Campos and her LIA classmates spend two days a week at a nearby special-needs school, Jordan Valley, where they help those with severe disabilities communicate through an assisted software called EagleEyes.

EagleEyes is a mouse replacement system for the computer that tracks eye movement and converts it into mouse movement. The system is primarily used to assist those who are profoundly disabled. Campos spends a few hours a week helping different students learn and communicate through the software.

She says her time spent using EagleEyes has changed her life. Debbie Inkley, Executive Director of OFOA says “The EagleEyes-LIA Program changes lives.” Inkely expresses the beauty of the two groups working together. She says it’s changing the volunteer’s lives through their service but giving the Jordan Valley students the peer experience of a lifetime.

LIA values have influenced all aspects of Campos’ life. “LIA setting self aside to help others grow, to build a stronger community.” She is planning on attending Utah Valley University for a year then she hopes to serve a mission for the Church of Jesus Christ of Latter-day Saints. The service opportunities through LIA has played into her decision to serve a mission and her decision to help people better their lives.

The Latinos In Action program was created to empower Latinx youth through their culture and prepare them for college and leadership opportunities. “We can be perceived as minority, going on a lot about drugs and criminals and all that stuff but we’re really not here to do that. We are here to show the best of ourselves,” Campos says.

LIA activity has shown Campos’ classmates what LIA is all about. She says many of her LIA peers were raised with very little. Most of their parents moved to the States to give their children a better life and a chance at an education. She says LIA helps her show her peers that you don’t have to come from much to break commonly believed stereotypes.

Campos uses her LIA membership to show everyone around her that your time and energy can be spent how you choose and that not all Hispanics fall under brutal stereotypes. She says, “We can show we aren’t that and that we can show love and give service.”

Photos courtesy of Opportunity Foundation of America.

Editor-in-chief in his veins

Story and gallery by Kara D. Rhodes

Utah loves local culture especially in Salt Lake Valley, from the local farmers market and local breweries to our very own local newspapers. One of the most popular independent newspapers in Salt Lake City, Salt Lake City Weekly, has a stellar editor-in-chief you may not be aware of. Enrique Limón moved to the city after having lived in Tijuana, Mexico, and San Diego.

Limón comes from a long line of “newspapermen,” as he describes it. “My great grandfather, Hernando Limón, a general in the Mexican Army, was editor and publisher of a bilingual weekly in the SD/TJ (San Diego/Tijuana) region generations ago,” Limón says in an email interview. His family is very proud of this achievement, especially his mother.

Being Latinx is described by Limón as being an “invaluable tool.” This includes his language skills, current event knowledge and pop history knowledge. Limón wakes up every day with the energy to excel in his duties. “Careers in media are notorious for burning people out, so thinking about every day as a new adventure, is my accomplishment,” he says.

Not only is Limón a part of the Latinx community but he is also a member of the LGBTQ community. “I am aware of representation issues within those two communities (and beyond), and I do my best to contribute,” Limón says. He also explains how it shapes his day-to-day routine. Although there are many challenges one faces by being in both communities, Limón says he wouldn’t trade being a part of them for anything.  

Limón, like others, has concerns about the Latinx/LGBTQ community. “Higher risk of homelessness, drug addiction, and other life-altering situations. There is a good number of crimes against people on DACA, for example, that never go reported in this country, because victims think doing so might affect their immigration status. It’s heartbreaking,” Limón says.

Limón suggests several ways that Utah could better serve the Latinx/LGBTQ communities, including creating safe spaces, so that people may be themselves without fear of harm or ridicule. A larger spread of gay-straight alliances is important as well. “Normalization, ensuring kids don’t feel ostracized because of something that’s embedded in who they are, should become second-nature,” Limón says. Multiple organizations in Salt Lake City offer programs, such as Encircle and the Utah Pride Center.

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“Everyone could benefit by being a little kinder — parents, schoolmates, teachers, clergy, etc.,” he says.

Limón concludes by giving praise in an email. “Congrats to The University of Utah. For Voices of Utah, Westminster College for their office of Diversity, Equity, and Inclusion, and other educational institutions across the state for highlighting the importance of inclusiveness. Your efforts are positively affecting people, especially young people, in ways you might never know.”

Nick McGregor, a City Weekly employee, has worked with Limón for one year. “Enrique’s background and position at City Weekly help him think outside the box and seek out underrepresented voices to make sure they’re present,” McGregor says in an email interview. Having worked with over 25 editors in his 13 years of journalism, McGregor says he believes that what sets Limón apart from the numerous editors before is his passion for the city as well as his audience.  

Another City Weekly employee, Namoi Clegg, praises Limón, “Enrique is always willing to work with new ideas and people. He also has high expectations, which is a good thing, I think. You damn well better be prepared, because he is not putting up with bullshit from staff or writers. I think his skills really lie in the curation and community-building aspect of the paper,” Clegg says in an email interview.

Clegg says there is no doubt that Limón’s background plays a role in the way he is an editor. “Enrique is a gay, Latinx man. He’s also an excellent editor. It feels reductive to say that Enrique is an excellent editor because of his personal characteristics; at the same time, his background gives him a much-needed perspective that a white, straight man would most likely lack,” Clegg says.

When asked about her thoughts on diversifying the newsroom Clegg had a lot to say. “I really strongly believe that our lived experiences — as women or LGBT folks or people of color — allow us to see angles and stories that are really difficult to pick up on for people who haven’t been marginalized. It’s really, really easy to miss small pieces of the story, pieces that are really essential to the people living the story but pieces that privilege often doesn’t allow us to see, even if we’re doing a lot of work to get outside of our preconceived notions.”

Limón shows that where one comes from is a strength and should be used to one’s best ability. 

 

Utah nonprofit, ONErefugee, lending a hand to refugees

Story by KATHERINE ROGERS

Starting college and going out into the workforce are intimidating feats. Most students need all the help they can get, even if it is in their hometown. Then there are some who are facing the prospects, but with challenges many of us can hardly relate to.

They are facing them as refugees — people who were forced to leave their homes for fear of their safety, and are now thrown into an unfamiliar, sometimes unwelcoming environment.

In Utah there is a nonprofit for those who are staring down that road: ONErefugee.

ONErefugee’s goal is to help refugees do the best they can in their new home. This is done through financial aid, mentorship and much more.

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ONErefugee students at a student conference (photo courtesy of O.C. Tanner).

It was started just over five years ago through the Boyer Foundation. Roger Boyer, chairman of the Boyer Company, wanted to do something for the community that would have obvious results. So, he started the Refugee Education Initiative, a program dedicated to helping refugees succeed educationally.

The Refugee Education Initiative did its job, but the people involved noticed something. While the refugees in the program got into college and finished their degrees, they were having problems finding good, fulfilling jobs.

“Education was not the end goal,” says Selma Mlikota, head of careers with ONErefugee. “Good jobs were the end goal.”

At that point, the Refugee Education Initiative started to reach out to O.C. Tanner and other companies, and ONErefugee was founded.

Six Utah companies are involved with ONErefugee, including O.C. Tanner and Intermountain Healthcare.

The program is not focused solely on education anymore, though it is a major part of it. Those involved in ONErefugee also work with the participants on getting jobs. This is important, Mlikota points out, because when people feel fulfilled in their work it is better for the community.

To be accepted into the program an applicant must have a refugee background (whether it’s their own or their parents’ experience), or they must be an approved asylum seeker. ONErefugee have taken refugees from 28 different countries, including Guatemala and Kenya.

They must also be college ready, with at least a 2.5 GPA and have college-level math and English skills.

The program offers no set curriculum for their participants. Instead, ONErefugee tailors a path to fit each refugee’s skills and interests.

Some are in the program for school. ONErefugee helps them with applying for college and scholarships.

Others have already started or finished their education and now just need a good job in their field. That’s where the companies involved in ONErefugee come in. They help with job placement and internships.

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ONErefugee students at a presentation during the student conference (photo courtesy of O.C. Tanner).

This is a symbiotic relationship. These refugees get good jobs in fields they find interesting. The companies get the benefit of adding young, diverse talent to their work force.

Mlikota says the program’s process is how the organization got its name, from working with their participants one-on-one.

One of the most beneficial parts of the program is the access to volunteers.

Some volunteers, like Ken Monson, Ph.D., provide career advice for the newly or soon-to-be graduated refugees in the program.

As an associate professor in engineering at the University of Utah, ONErefugee often sends refugees with degrees in engineering to him when they need help finding a job or help with understanding the American workforce.

Monson recalls one example of a refugee who had an entry-level job at a tech company. He came to Monson concerned that he wasn’t getting the same quality of training as the other employees at his level. The professor provided him with advice on how to speak to his boss about these concerns.

Other volunteers give their time to help the students in the program academically. They will look over English papers and/or tutor them in math or science.

Then there are some who do all of the above, like retired lawyer Mike Jenkins.

Jenkins’ involvement began a year and a half ago, when some friends of his, refugees from the Democratic Republic of the Congo, were trying to find a way to get their daughter into and through college. He wanted to help and, in the process, learned about ONErefugee.

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ONErefugee’s yearly graduation celebration (photo courtesy of O.C. Tanner).

With his retirement approaching, Jenkins knew he would have more free time and ONErefugee called to him.

He helps the participants with writing, and he mentors those who are practicing law or interested in it as a career.

For Jenkins this work is all about connecting with the people he helps. When he meets a man around his age who is a refugee, he sees himself. That empathy is what drives him to keep working with ONErefugee. “I hope someone would help me,” he says.

The women and men who have taken advantage of what ONErefugee has to offer have done some great work. Things like interning in Washington, D.C., for U.S. congressmen and heading the Women of Tomorrow Club at the University of Utah. Articles and videos about their achievements are available on the ONErefugee website.

Utah may be next to experience a physician crisis

Story and photos by Justin Trombetti

The concept of representation in modern society can often be a fickle thing. It’s also becoming a hard conversation to avoid; it was a massive focal point of the most recent midterm elections, it’s garnered both highly positive and staunchly negative critiques of our modern media landscape, and for better or worse, the political climate of 2019 America has thrust an unending array of opinions to the front of our social commentary.

Emotions aside, the reality is that minorities and historically marginalized groups are not represented visibly in proportion to the population percentages they make up.

While this issue is far from exclusive to them, it is especially relevant to Hispanic populations. In fact, it’s a large part of the reason why California is currently facing what has been termed a physician crisis. That is, while Hispanics make up over 40 percent of the state’s population, they account for only 12 percent of graduating physicians.

It’s been posited that this has resulted in disproportionately poor health and community-wide vulnerability that, at its current rate, would take over 500 years to equalize.

It would seem that, upon a deeper dive into the matter, the issue is far from specific to California. Further, while healthcare is an immediate concern, it may well be a problem that extends beyond just a single sector of the service economy.

Utah is experiencing its own tension in the local health sector, as its rapidly growing population has begun to feel the strain of underrepresentation. Yehemy Zavala Orozco, preventive health manager of Comunidades Unidas, has been on the front lines of this reality for eight years.

The West Valley City-based organization’s primary mission is to “keep families healthy and together,” and Zavala Orozco (whose preferred pronoun is they) believes that the odds are stacked against the communities it serves.

They believe the underlying issues of representation are just the beginning of a multifaceted dilemma facing the Hispanic community. “No one gives you a guide,” they said of first-generation immigrants who often struggle to find resources that not only speak their language, but also understand them on a cultural level.

Zavala Orozco recalled a story of a first-generation mother from Guatemala with whom they recently worked. “The doctors found a lump in her breast and she needed surgery. They thought she might have cancer.”

On top of the woman dealing with the gravity of her diagnosis, Zavala Orozco said she found little help with the hospitals and offices she dealt with. Language barriers alone created a back and forth with her care professionals that made treatment more stressful and time consuming. Instances where miscommunications led to hospitals completely missing information along the way were also prevalent.

Zavala Orozco believes that there’s an extreme lack of investment and effort from the government to shift these paradigms. They cited the backpedaling on the 2018 initiative Proposition 3, which dealt with Medicaid expansion that would have had a strong impact on the Hispanic population, as a primary example of this.

They strongly suggest that Utahns must begin bolstering the opportunities available to Hispanics that allow them to ultimately join the professional sectors where their communities are underrepresented.

“We need to ensure they know college is an option, they just don’t see options other than places like [Salt Lake Community College] or trade schools,” Zavala Orozco said. They also believes that access to higher education is often too expensive for minority groups, and helping to remove the financial barriers of access is essential to reversing these trends.

In Utah, physical health is not the only concern Hispanic populations are faced with. In a state where suicide rates among this group are close to double the national average, mental health treatment is just as important.

Brad Drown, a licensed clinical social worker in Murray, has seen some of the same problems in his field that Yehemy Zavala Orozco discussed. He stated that it’s common for Hispanics in Utah to go without mental healthcare. Drown added in his multiple decades as a social worker, he’d only ever treated a small handful of Hispanic patients, and that while this could be a geo-demographic reality, independent research and data from his colleagues show similar trends.

According to Drown, this is very much a cultural issue, and less so a linguistic one. He noted that Utah boasts a higher number of multilingual resources available in his line of work due to the growing population of Latinos and the large number of return missionaries who lived abroad in Spanish-speaking nations.

The issues lie partially in a pattern of cultural stigmas he’s noticed, but more prevalent is the problem of a shared cultural experience that can often make therapy more effective. While he believes it isn’t always a necessity for everyone, many people feel more comfortable seeking treatment when they believe there are providers who understand them on a deeper level.

Perhaps most important to note, however, is that a common experience does not always mean a common result. While it’s crucial to recognize the hardships that many Hispanics face, assigning victimhood to an entire population, especially one with so many positive victories, can be short-sighted.

Andres Rivera, who runs Myo Tensegrity Massage in Draper, provided some context on this. He said he’s been lucky to experience a different side of the matter.

“We moved to California when I was 8, and everyone spoke Spanish [where we lived],” he said. Even in Utah, he lived in areas with a dense Hispanic population, and he believes this made integration easier.

“My mom spoke OK English, but mostly Spanish. It made it a little difficult but going to certain places that were recommended [by other Spanish speakers] was a big thing,” he continued. “It helped to have connections where she felt comfortable as far as speaking Spanish, especially with finding places of employment, things like that.”

However, Rivera felt it important to acknowledge that he does not think that’s how it is for every immigrant family. “Older people that came here is where it’s more of a thing where it makes sense to befriend someone with a shared cultural experience. I can see why someone [that didn’t immigrate as a child] would really want people who understand where they’re coming from.”

The idea of representation is important to minorities and oft-marginalized groups, especially when it comes to health. While it doesn’t necessarily affect everyone equally, it’s a pressing concern that currently has no end in sight for a significant population of Hispanics in Utah and nationally.

Zavala Orozco said that beyond empowerment, investment in local organizations like Comunidades Unidas can have an enormous impact on the day-to-day lives of Utahns. It may not be a problem that can solve itself overnight, but awareness and grassroots effort can go a long way.

 

Community and inclusion in art — Latin social dancing in Utah

Story, photos and gallery by KRISTEN LAW

“There’s dance for everything. You don’t have to be a competitor, you don’t have to be a professional,” said Julio Morales, a professional Latin ballroom dancer and instructor in South Salt Lake.

Morales said that students come for many reasons: to increase health benefits, enjoy the community and socializing, or to compete and perform. “You get to meet a lot of people from different backgrounds who have different goals, so it’s a great community,” Morales said.

The purpose of Latin social dancing is to build community. Social dance is centered around socializing while engaging in different styles of dance. Morales said all of the styles have their own kind of “flavor.” Salsa is a “high-energy, happy dance,” Morales said. Merengue and bachata are Latin dances originating in the Dominican Republic but have slightly different characteristics from one another. Merengue, according to dance websites, is more of a traditional, lighthearted and festive Latin dance, whereas bachata is more of a sensual and intimate Latin dance.

DF Dance Studio located at 2978 State St. in South Salt Lake offers many Latin social dance classes that fit any level. The beginner Latin social dance classes encourage a comfortable and relaxed environment for learning the basics. DF Dance Studio provides professional performances for attendees for social dance nights to encourage beginners to come out and dance.

Some people come who have never danced before. Teachers are there for students to ask questions and make them feel comfortable.

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Hope Jackson (second from the right) watching the students dance during the Latin Nationals Prep Camp.

Beginner or not, even the professionals take classes. “I’m a professional, but I still take lessons from other professionals because we understand in our sport that we’re never too good to learn something,” said Hope Jackson, a professional dancer and instructor in Utah.

Kyle and Madelaine Treu grew up dancing a variety of styles of dance and now the professional dancers specialize in Latin American dancing. The couple teaches at a studio in Idaho Falls, Idaho, called Extreme Ballroom Company.

“Those who get the ‘bug’ are in it for life, whether they want to pursue it consistently socially, or consistently competitively,” Kyle Treu said.

Jackson and the Treus are professional dancers who put together a Latin Nationals Prep Camp to help students and competitors practice and hone skills for a competition in March 2018. The team flew in Pasha Stepanchuk and Gabrielle (Gabby) Sabler, Latin dance world champions, for this camp to help teach the students.

“In this particular group of people, [the students] were beginners that were adults, beginners that were kids, and then there were our competitive adults who were 19-25 that are going to be competing against [the instructors],” Jackson said.

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Students practicing at the Latin Nationals Prep Camp.

“I want this to be an inclusive sport,” she added. Dance itself is inclusive, but she longs to see growth in the arts in this way.

Latin and ballroom dancing in Utah is very popular and common. Salt Lake City supports the arts well and has donated money for years in support of the growth of arts and culture. 

“It’s a sport, but it’s art as well,” Jackson said. “The arts [in Utah] are really important.” She said kids in Utah are usually either in sports or in an art, and most parents want their kids to be well versed in both.

Madelaine Treu said, “I think overall, dance anywhere is very accepting. So there can be a lot of diversity and age and race and status because dance is so much about self-expression, and the beauty and happiness that dance brings to life. So when you find that community or that coach that gives that to you and you really click with them, then so much happiness and acceptance and family really revolves around that.”

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Gabrielle (Gabby) Sabler finishing a demonstration with Pasha Stepanchuk, behind her, for students at the Latin Nationals Prep Camp.

Jackson said she loves the art because she values being around people who inspire her. “I want to bring more of that to the community here, but I also really just love being part of it.”

Professional Latin dancer and instructor Julio Morales said when he goes out to social dance he sees a relaxed, community environment. “I like to go out there and have fun, whether it’s salsa or bachata,” Morales said. “It’s whatever you like, just to go out there and enjoy yourself and have a good time.”

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